1952, Italy, 89 min.
Seventy years after its release, director Vittorio De Sica’s understated, brilliant character study remains a treasure to be savored. Umberto Domenico Ferrari, a retired civil servant, who lives with his beloved dog, Flika, faces an increased cost of living that outdistances his meager pension. As a result, he is cast out into the world, looking to pay his debts, which range from selling off his belongings, to asking for loans, to considering suicide. De Sica did not get theatrical or heavy-handed in presenting the story of an old man’s struggle to retain his pride and quality of life in a world that won’t allow it—nor of the dog whose presence is his sole source of hope. Adding to the film’s poignancy is its dearth of trained performers, which enhances the heartbreaking reality De Sica chronicles. Carlo Battisti, then 70, who is memorable in the title role, was a university lecturer who had not acted before. Filmed in black and white with English subtitles.